Opens September 25, 2017
Sondra Radvanovsky and Sir David McVicar on the Met’s new production of Norma
The 2017–18 season opens with a new production of Bellini’s masterpiece, starring Sondra Radvanovsky as the Druid priestess and Joyce DiDonato as her archrival, Adalgisa. Sir David McVicar’s evocative production sets the action deep in a Druid forest where nature and ancient ritual rule.
Adès's The Exterminating Angel
Opens October 26, 2017
Thomas Adès and Tom Cairns on the Met’s new production of The Exterminating Angel
Following the rapturous response to his last opera, The Tempest, the Met presents the American premiere of Thomas Adès’s The Exterminating Angel, inspired by the classic Luis Buñuel film of the same name. Hailed by the New York Times at its 2016 Salzburg Festival premiere as “inventive and audacious … a major event,” The Exterminating Angel is a surreal fantasy about a dinner party from which the guests can’t escape. Tom Cairns, who wrote the libretto, directs the new production, and Adès conducts his own adventurous new opera.
Opens December 31, 2017
Sir David McVicar on his new production of Tosca
Sir David McVicar’s ravishing new production offers a splendid backdrop for two extraordinary sopranos sharing the title role of the jealous prima donna: Sonya Yoncheva and Anna Netrebko. Vittorio Grigolo and Marcelo Álvarez alternate in the role of Tosca’s revolutionary artist lover Cavaradossi.
Mozart’s Così fan tutte
Opens March 15, 2018
Phelim McDermott on his new production of Così fan tutte
A winning cast comes together for Phelim McDermott’s clever vision of Mozart’s comedy about the sexes, set in a carnival-esque, funhouse environment inspired by 1950s Coney Island. Manipulating the action are the Don Alfonso of Christopher Maltman and the Despina of Tony Award–winner Kelli O’Hara, with Amanda Majeski, Serena Malfi, Ben Bliss, and Adam Plachetka as the pairs of young lovers who test each other’s.
Opens April 12, 2018
Joyce DiDonato on the Met's new production of Cendrillon
“Glorious,” raved the New York Times when Joyce DiDonato sang the title role of Cendrillon at the Royal Opera in 2011. “Her performance was thoroughly enchanting.” Now, for the first time ever, Massenet’s sumptuous take on the Cinderella story comes to the Met, with DiDonato starring in the title role. She is paired with mezzo-soprano Alice Coote in the trouser role of Prince Charming, Kathleen Kim as the Fairy Godmother, and Stephanie Blythe as the imperious Madame de la Haltière. Bertrand de Billy conducts Laurent Pelly’s imaginative storybook production.